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Tag Archives: Northrop Frye
The Anatomy of Criticism
Anatomy of Criticism Northrop Frye, 1957 It is impossible to learn literature because literature needs to be dis-furnished from the study of it—or criticism. Literary Criticism has many neighbors, including: Psychology and Sociology. Frye covers the Fictional Modes first. Myth, … Continue reading
Posted in Culture, Literary Criticism, Literature/Pop Culture, Mythology
Tagged Autumn, Christianity, Comedy, Dionysus, Drama, Fates, Frued, George Bernard Shaw, Gods, Heroes, Ironic, Irony, Jung, Literature, Lyric, Music, Myth, Northrop Frye, Oracle of Delphi, Oracles, Pagan, Pathetic Fallacy, Poetry, Prose, Psychology, Rhetoric, Rhythm, Satire, Sociology, Spring, Summer, Symbolism, Symbols, The Anatomy of Criticism, The Fabian Society, Thomas Hardy, Tragedy, Winter
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Zen and the Art of Shaw
Zen and the Art of Shaw There are several philosophies that run throughout Buoyant Billions, but the two conflicting philosophies of existentialism and creative evolution create a unique tension in the play. Shaw’s attempt to reconcile … Continue reading
Posted in Literature/Pop Culture, Religion, Science/Philosophy
Tagged Anatomy of Criticism, balance, Bill Buoyant, Billions, Buoyant Billions, C.D. Sidhu, Cari Gilkison, Cari Lynn Vaughn, Charles A. Berst, Clemintina, Creative Evolution, Dan H Lawrence, Darkie, Duality, Eric Bently, Existence and Being, Existentialism, Far Fetched Fables, George Bernard Shaw, God-Within, Hoochlipoochli, Jack Kornfield, Junius, Life-Force, Martin Heidegger, Michael Holroyd, Northrop Frye, Patterns of Tragicomedy in Bernard Shaw, Robert F Whitman, Secondborn, Shakes Vs Shav, Shaw and Religion, Steven Joyce, The Play of Ideas, The Shavian, Transformations and Texts, World Betterer, Zen and the Art of Shaw
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