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Tag Archives: Nosferatu
Dracula in the Dark: Film Adaptations of Dracula
Dracula in the Dark: The Film Adaptations of Dracula By James Craig Holte, 1997 Vampires often shapshift, particularly on film. Varney The Vampyre came first, then Carmilla and then Dracula. CLASSICS 1922: Nosferatu 1931: Bella Lugosi’s Dracula 1979: Frank Langella … Continue reading
Posted in Culture, History, Literary Criticism, Literature/Pop Culture, Movies/TV
Tagged 1930s, 1940s, 1950s, 1960s, 1970s, 1990s, Anne Rice, Bella Lugosi, Bram Stoker, Bram Stoker's Dracula, Carmilla, Children of Eve, Christabell, Christopher Lee, Count Chocula, Dark Beauty and the Beast, Dr. Jekyll and Mr. Hyde, Dracula, Dracula Dead and Loving It, Elizabeth Bathory, Films, Frank Langella, Gothic Romance, Greek Mythology, Has Dracula Become More Like Us or Have We Become More Like Him?, Lamia, Legia, Lenore, Lillith, Movies, My Grandpa is a Vampire, Nosferatu, Once Bitten, Salem's Lot, Satanic Rituals, The Biography of Dracula, The Bride of Corinth, The Brides of Dracula, The Castle of Otranto, The Count on Sesame Street, The Devil and the Evil Spirits of Babylonia, The Gothic Flame, The Iliad, The Interview with a Vampire, The Italian, The Land Beyond the Forest, The Lost Boys, The Monk, The Mysteries of Uldopho, The Odyssey, The Prince of Darkness, Vamprie Cop, Varney The Vampyre, Video, Yama
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Bram Stoker
Bram Stoker By Barbara Belford, 1976 Bram had a frigid wife. He went to prostitutes—especially during the menstruation period. Bram wanted to grow as a person, but he felt he couldn’t. Bram was aware of the subtext in his own … Continue reading
Posted in History, Literary Criticism, Literature/Pop Culture, Movies/TV, Uncategorized
Tagged Actor, An Account of the Principalties of Wallachia and Moldavia, Anti-Feminist, Blarney, Blood, Bram Stoker, Byron, childhood, Demeter, Desdemona, Devil, Dracula, Edgar Alan Poe, education, Ellen Terry, Emily Bronte, Empress, Fates of Fernella, Father Figure, Florence, Fool, Government, Hangman, Harker, Ill, Incest, infanticide, Irving, Jonathan, Le Vampires, Lovres, Lucy, M Names, Magician, Mark Twain, MIddle Class, Mina, Movie, Nosferatu, Ophelia, patricide, Research, Sex, Sexual, Shakespeare, Sharp, sibling rivalry, social ills, taboo, tarot cards, Teeth, The Fall of the House of Usher, Theater, Vampires, Victorian, Vlad Dracul, Walt Whitman, Whitby, William Wilkerson, Wuthering Heights
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Gothic: 400 Years of Excess, Horror, Evil and Ruin
Gothic: 400 Years of Excess, Horror, Evil and Ruin Richard Davenport-Hines, 1998 Davenport-Hines begins with the Goths in Eastern Europe in 410AD when the sacked Rome. In the 1300s, the word Goth came to denote the architecture of that flourished … Continue reading
Posted in History, Literature/Pop Culture, Movies/TV, Music, Writing
Tagged Anne Radcliffe, Anne Rice, Arbury Hall, Bram Stoker, Charles Brockden Brown, David Lynch, Dracula, Edgar Allan Poe, Frankenstein, Germanic Tribe Goth, Ghosts, Goth, Gothic, Gothic Literature, Gothic Romance, Goya, Halgey Hall, Halsowen Grange, Henell Grange, Henry James, Horace Walpole, Interview With A Vampire, Jane Austen, John Pagets, Lord Byron, Monsters, Nathaniel Hawthorne, Nosferatu, Sacking of Rome, Salvator Rosa, Sheridan La Fanu, Souxie and the Banshees, The Cure, The Terminator, Vampires, Witches
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Lucy’s Death in Dracula
Dracula: Gothic Elements is Lucy’s Death Cari Gilkison, May 6, 1998 For Film Studies Spring 1998 The whole novel of Dracula Bram Stoker is filled with Gothic Elements created most strongly by the undercurrent of Eros and Thanatos. Once scene … Continue reading
Posted in Literature/Pop Culture, Movies/TV
Tagged Arthur, Bram Stoker, Cari Gilkison, consummation, cut off her head, Death, Dracula, Eros, Film Studies, Gothic, Gothic Romance, Graveyard, Harker, intertwined, Love, Lucy, Mina, Nosferatu, Orgasm, OSU Mansfield, Pathetic Fallacy, Spring 1998, Stake through the heart, Steven Joyce, Thanatos, Undead, Vampire, Van Helsing
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