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Tag Archives: Spring 1998
Difference in Dracula
Differences in the Novel Dracula and the 1992 Movie Bram Stoker’s Dracula Cari Gilkison Film Studies 578, May 1998 Francis Ford Coppola’s 1992 version of Dracula varied from Bram Stoker’s novel in one key aspect. The film focused … Continue reading
Posted in History, Literature/Pop Culture, Movies/TV
Tagged 1992, Blood, Bram Stoker's Dracula, Cari Gilkison, Cari Lynn Vaughn, Cinema House, Death, Dinner, Dracula, Elizabeth, Eternal Love, Film Studies, Francis Ford Coppola, Harker, Loss, Love, Lucy's Death, Marriage, Mina, Movie, Reincarnation, Spring 1998, Steven Joyce, Suicide, Turks, Undead, Van Helsing, Vlad Tepes
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Wuthering Heights 1939 Movie
Only Half: The 1939 Movie of Wuthering Heights Cari Gilkison for Film Studies 578, April 1998 The single most striking difference between the book Wuthering Heights by Emily Bronte and the 1939 MGM movie is the absence of the second … Continue reading
Posted in Literature/Pop Culture, Movies/TV, Psychology
Tagged 1939, Afterlife, Cari Gilkison, Cari Lynn Vaughn, Catherine, Cathy, Children, Cycle, Dark, Death, Emily Bronte, Eternity, Film Studies, Forgiveness, Gothic Romance, Heathcliff, Hollywood, interpretation, Journey, Light, Lost Love, MGM, Mood, OSU, Pain, Psychology, Second Half, Spring 1998, Steven Joyce, Suffering, The Moor, Tone, Wuthering Heights
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Lucy’s Death in Dracula
Dracula: Gothic Elements is Lucy’s Death Cari Gilkison, May 6, 1998 For Film Studies Spring 1998 The whole novel of Dracula Bram Stoker is filled with Gothic Elements created most strongly by the undercurrent of Eros and Thanatos. Once scene … Continue reading
Posted in Literature/Pop Culture, Movies/TV
Tagged Arthur, Bram Stoker, Cari Gilkison, consummation, cut off her head, Death, Dracula, Eros, Film Studies, Gothic, Gothic Romance, Graveyard, Harker, intertwined, Love, Lucy, Mina, Nosferatu, Orgasm, OSU Mansfield, Pathetic Fallacy, Spring 1998, Stake through the heart, Steven Joyce, Thanatos, Undead, Vampire, Van Helsing
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carilynn27 