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Patterns of Tragicomedy in Shaw
Patterns of Tragicomedy in Bernard Shaw By CD Sidhi, Bahari Publishers, 1978 The evolution of tragedy and comedy merged into a new species called the Tragi-Comedy. Happy Endings in historical tragicomedy can be found as far back as he 17th … Continue reading →
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Posted in Literary Criticism, Literature/Pop Culture, Politics/Economics, Religion
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Tagged 1978, Absurdest, Anti-Christ, Antigone, Aristotle, Beckett, CD Sidhi, Christ, Comedy, Conflicts, Creative Evolution, Critical Thinking, Criticism, Destiny of a Nation, Disillusionment, England, Evil, Existentialism, Faust, GBS, George Bernard Shaw, Goethe, Hamlet, Happy Ending, Heartbreak House, Heaven, Hell, Hero, Ibsen, John Bull's Other Island, Major Barbara, Manufacturing of Misunderstanding, No Ending, Open-Ended, Patterns of Tragicomedy in Bernard Shaw, Prometheus, Savage God, Shavian, Slice of Life, Story of A Nation, Tragedy, Unresolved, Wagner, Waiting For Godot, Who's Afraid of Virginia Woolf, Wild Duck, World Betterer
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